07.13.2010
http://www.economist.com/node/16481295
Asia’s alarming cities
How Asian cities are built will determine the prospects for global carbon emissions. Oh dear
IF YOU are the sort to worry at night about man-induced climate change, then book a stay at any of the new high-rise hotels going up on the edge of China’s big cities—start looking for them around the third ring road. When you stagger red-eyed out of bed to peer into the murky dawn, you will see rank upon serried rank of raw “superblock” developments, a mile apart, marching into the distance. You think of the emissions involved in their carbon-hungry construction, the traffic jams on the arteries tying them into the expanding city, and the new coal-fired power stations being built to light them up. And you wonder how Asia can change its habits—energy consumption grew by 70% in the ten years to 2008—before it is too late for all of us. Yet the world’s hopes of putting carbon emissions on a manageable path depend upon on how developing Asia urbanises in the coming decades. The scale is staggering. According to the Asian Development Bank, 44m people join city populations each year. Every day sees the construction of 20,000 new dwellings and 250km (160 miles) of new roads. In theory, urban living can be greener than other ways of life: people need to travel shorter distances, for instance. The practice is not so simple. Most poor people coming to the city aspire to higher standards of living and consumption. Ill-planned public transport reinforces car use. Most striking, putting up and using buildings accounts for a big part of developing Asia’s carbon emissions—perhaps 30% in the case of China, where nearly half the world’s new floor space is built each year. What’s more, the buildings do not age well. Many thrown up in the 1990s are already being pulled down and replaced. Governments acknowledge the challenge. Green codes in China mandate energy-saving standards for heating, cooling and lighting new buildings. The aim is to cut new buildings’ energy use by 65%. But many new buildings are designed first and greened later—a cheaper but less effective approach. As for the superblocks that exemplify China’s urbanisation, a dozen new ones are built every day. Yet their conceptual design is flawed, however many low-energy light bulbs they boast.
read full article
05.12.2010

Remember Kolelinia, the crazy urban tight rope system for biking? Martin Angelov, the Bulgarian architect who created Kolelinia, has come up with yet another crazy form of urban transportation– this time it’s a backpack harness system with a network of wires strung all over the city. All you have to do is strap on the battery-powered harness, hop onto a wire and start flying around the city. It may be science fiction now, but someday this could be a reality.
read full article
03.24.2010
http://www.inhabitat.com/2010/03/23/elastic-iron-alloy-could-be-used-to-make-earthquake-proof-buildings

In light of the world’s recent earthquakes, finding a quake-proof building material is a top priority. A group of Japanese researchers are answering the call. They’ve developed a super elastic iron alloy that maintains its original shape even after serious stretching. Once optimized, scientists think the material can be used in everything from medical stents to braces to buildings.
read full article
03.17.2010
by Sarah Parsons, 03/17/10

Imagine a 3-d printer so large that it can spit out entire buildings made from stone. Sounds science fiction-y, right? But that’s exactly what designer Enrico Dini created with his prototype D-Shape printer. Dini hopes to use the printer to create buildings made of stone and eventually, moon dust.

The printing process starts with a thin layer of sand. The printer then sprays the sand with magnesium-based glue from hundreds of nozzles, which binds the sand into rock. That rock is then built up layer by layer, eventually taking shape of whatever object it is destined to become, be it a curvy sculpture or an entire cathedral. Dini has even been talking with La Scuola Normale Superiore, Alta Space and Norman Foster to design a printer that would work with moon dust, essentially creating a machine that can make an almost-instant moonbase!
We’re not sure that anyone will really bring D-Shape to the moon, but it is totally amazing to think about the implications a printer like this could have on construction here on Earth. Dini claims the printer is four times faster than conventional building, costs one-third to one-half the price of Portland cement and creates very little waste, so it’s better for the environment. Color us seriously impressed.
read full article
03.12.2010
Detroit is a city in terminal decline. When film director Julien Temple arrived in town, he was shocked by what he found – but he also uncovered reasons for hope
Vegetation engulfs an abandoned car wash in Detroit. Photograph: Films of Record
When the film- maker Roger Graef approached me last year to make a film about the rise and fall of Detroit I had very few preconceptions about the place. Like everyone else, I knew it as the Motor City, one of the great epicentres of 20th-century music, and home of the American automobile. Only when I arrived in the city itself did the full-frontal cultural car crash that is 21st-century Detroit became blindingly apparent.
Read Full article at : http://www.guardian.co.uk/film/2010/mar/10/detroit-motor-city-urban-decline
02.19.2010
City Council will review proposal for piece of interactive art on Central Avenue.
By
Published: Last Updated Friday, February 19, 2010 10:12 PM PST
CITY HALL — An interactive light sculpture could be coming to Central Avenue, under the public art proposal for the mixed-use development slated for the street’s intersection with California Avenue.The city’s Arts & Culture Commission voted unanimously to recommend that the City Council approve the art proposal for Legendary Tower Glendale, a proposed complex that includes 71 condominium units and nine ground-floor live-work units.
The artwork is mandatory under the Downtown Specific Plan, which requires a public art component valued at 1% of the cost of any project with a price tag of at least $500,000 in the downtown area. No required artwork has been completed under the new policy, although the commission reviewed another art proposal for a Hyatt Hotel slated for the corner of Central and Wilson avenues.
The ground floor of the proposed complex would feature a cafe connected to about 1,350 square feet of public space. The public area would be surrounded in panels of transparent glass, creating what the project’s architect, Mark Vaghei, described as “a sun-filled outdoor room.”