02.25.2010

Senior Affordable Housing : atelier V celebrates the grand opening of Santa Monica project

Westwood, California

The long anticipated Ocean Breeze affordable senior housing complex located at 1458 14th street in the city of Santa Monica, California celebrated its grand opening today.  Officials and dignitaries from the City including Councilmember Richard Bloom and members of Santa Monica Department of Housing and Economic Development as well as MacFarlane Costa Housing Partners’ President, Mr. Michael Costa, the Owners of the project were amongst those present at the ceremonies.  The project initially received its Architectural Review Board (ARB) approval back in February of 2006 but did not start construction until fall of 2008. 

The complex sits atop a standard 7,500 sf corner lot at the intersection of Broadway Avenue and 14th Street in the Braodway Commercial District (BCD) with the main entry off Broadway Avenue.  It consists of 20-low income senior units on 4 above grade levels plus an 1,800 sf commercial component on the ground level.  There are 16 subterranean and one grade level parking spaces in the project.  Typical unit sizes are approximately 600 sf on a single loaded corridor configuration with a considerable set back on the fourth level allowing for generous open-air balconies.  The total project is approximately 15,700 sf taking advantage of a density bonus as well as reduced senior’s parking requirement that the City of Santa Monica offered.  ” The small site, limited access, differential grades, the program and the city zoning requirements presented unique challenges that we had to overcome.” says Mark Vaghei , AIA, atelier V’s Principal in charge of design.  Due to the differential of at least 18 inches in such a small site , atelier V had to devise a “Double Slab” solution to the problem.  The first slab is the projects main structural slab topped by a secondary sloping slab with structural foam separating the two.  This solution “…allowed on grade entrance and no steps to all units as well as to the commercial space thereby eliminating the need for handicap ramps.” says Mark Vaghei, AIA. 

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02.22.2010

Dance of Lights : atelier V collaborates with Michael Hayden on 300 N. Central

Westwood, California

Last Thursday afternoon, The Glendale Arts Commission unanimously approved the public art proposal presented by Internationally acclaimed Artist Michael Hayden (www.thinkinglightly.com)  for atelier V’s 300 N. Central project (http://www.glendalenewspress.com/articles/2010/02/20/politics/gnp-proposal022010.txt). atelier V and Legendary Development LLC (Project Developer) had conducted a national search for an artist well versed in the vocabulary of light and sound. ” Michael Hayden’s selection was a direct result of his thorough understanding of the nature of our Public Space, the architecture of the building, the limitations of a private residential project,  as well as our desire to have a 21st century piece that continuously spoke to the users of the space and the community at large” said Mark Vaghei, AIA (www.atelierv.com) .  Michael Hayden’s works have graced public spaces world-wide and enchanted millions that have been exposed to them.  He is the recipient of many awards and honors.  One of the most recognizable of Michael Hayden’s sculptures is the sculpture of light within the concourse of the United Airlines terminal at the Chicago’s O’Hare airport viewed by millions of travelers daily.

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02.19.2010

Light sculpture advances

http://www.glendalenewspress.com/articles/2010/02/20/politics/gnp-proposal022010.txt

City Council will review proposal for piece of interactive art on Central Avenue.

By
Published: Last Updated Friday, February 19, 2010 10:12 PM PST
CITY HALL — An interactive light sculpture could be coming to Central Avenue, under the public art proposal for the mixed-use development slated for the street’s intersection with California Avenue.The city’s Arts & Culture Commission voted unanimously to recommend that the City Council approve the art proposal for Legendary Tower Glendale, a proposed complex that includes 71 condominium units and nine ground-floor live-work units.

The artwork is mandatory under the Downtown Specific Plan, which requires a public art component valued at 1% of the cost of any project with a price tag of at least $500,000 in the downtown area. No required artwork has been completed under the new policy, although the commission reviewed another art proposal for a Hyatt Hotel slated for the corner of Central and Wilson avenues.

The ground floor of the proposed complex would feature a cafe connected to about 1,350 square feet of public space. The public area would be surrounded in panels of transparent glass, creating what the project’s architect, Mark Vaghei, described as “a sun-filled outdoor room.”

01.22.2010

London’s Olympic Stadium to Be Made Out of Recycled Guns and Knives!


http://www.inhabitat.com/2010/01/20/confiscated-weapons-used-to-build-londons-olympic-stadium/

by Bridgette Meinhold, 01/20/10

london, london olympic stadium, 2012 olympics, recycled materials, recycled scrap metal, guns, knives, metropolitan police, london police, recycled guns, eco stadium

As the world eagerly awaits the Olympic Winter Games in Vancouver, London is ramping up their own construction plans for the 2012 Olympics. And we just learned this exciting little tidbit about the super sustainable Olympic Stadium currently being built there that makes us even more anxious to see it – it’s going to be made out of recycled guns and knives! That’s right, confiscated weapons from the Metropolitan Police Department are being melted down into scrap metal and used to help build the stadium. That’s an anti-weapons and recycling program all rolled into one!

london, london olympic stadium, 2012 olympics, recycled materials, recycled scrap metal, guns, knives, metropolitan police, london police, recycled guns, eco stadium

In the last year, the Metropolitan Police have collected more than 52 tonnes of scrap metal from old keys, knives and guns. This valuable scrap metal is being sold for use in buildings around the city, namely the Olympic Stadium in Stratford. Populous (formerly HOK Sport) designed the eco-stadium to utilize a minimum number of materials and resources in order to have a lower environmental impact, and the recycled scrap metal is just one of those eco-elements.

The London Metropolitan Police have done an admirable job in the last year to lighten their environmental footprint and have performed environmental studies to see where improvements can be made. Interestingly, they have collected 3.3 million spent bullets, weighing about 28 tonnes and recycled them into photo frames and jewelry. Additionally, they have recycled old uniforms, including body armour, to be used in car production, as well as cooking oil and horse manure.

01.11.2010

The Slums of the 21st Century Are Being Built in Dubai

 

http://www.spiegel.de/international/world/0,1518,671326,00.html

SPIEGEL Interview with Architect Albert Speer Jr. ‘

 In an interview with SPIEGEL, German architect Albert Speer Jr. says Dubai’s Burj Khalifa tower is purely a vanity project and argues that the emirate is an example of failed urban planning.

SPIEGEL: The Burj Khalifa just opened in Dubai. At 828 meters, it is now the tallest building in the world. What do you think of the tower?

Albert Speer: It’s inspired by the Mile High Illinois project, a high-rise that American architect Frank Lloyd Wright designed in the 1950s. That was meant to stand 1,609 meters tall. So, fundamentally, buildings such as the Burj Khalifa aren’t inventions of the 21st century. Such plans existed earlier, it was just that they weren’t feasible technically. Today, we have the means to build such towers. However that doesn’t mean it’s sensible to build them. It’s purely a vanity project.

SPIEGEL: Is it a way for individuals to secure their legacy?

Speer: In the case of the Burj Khalifa, that is most definitely the case. Perhaps it will pay off. Perhaps there are enough people in the world who would consider an apartment in such a building to be the cherry on top of their luxurious lifestyle. But this has nothing to do with normalcy or a sustainable lifestyle. When one builds a city — at least I think so, as a German — one builds it for the next 200 years rather than the next 10. Take the German city of Freiburg, for example — the layout of the city is the same as it was in the year 1000. But in Dubai, it is likely that the majority of the buildings there will have to be torn down again before too long.

SPIEGEL: Why?

 Speer: I am convinced that the slums of the 21st century are, to a certain extent, being built there. Dubai has two sides. On the one hand, it’s the Gulf state that doesn’t possess any oil but which has nevertheless managed to get its name on the world map within the space of 20 years. Outstanding architecture made a significant contribution to that development. But, and this is the flip side of that, in terms of construction, not all the buildings are constructed to the same quality as the Burj Khalifa — not by a long way. Many buildings were built quickly and on the cheap by speculators and are now standing empty.

SPIEGEL: Is it a case of failed urban planning?

Speer: One builds cities for people. The cities have to be used. The quality of the urban space is absolutely decisive in that respect. Many of the buildings that have been constructed in Dubai stand far too close together and weren’t planned or built to an adequate standard in terms of living quality. I believe that Dubai got intoxicated with the idea that everything is possible. The collapse of that system demonstrates that it wasn’t the right way to go.

12.29.2009

The Revolution Will Be Mapped

http://www.miller-mccune.com/culture_society/the-revolution-will-be-mapped-1650

GIS mapping technology is helping underprivileged communities get better services — from education and transportation to health care and law enforcement — by showing exactly what discrimination looks like.

By: Bob Burtman  |  December 28, 2009  |  05:00 AM (PST)  |

feature photoThe exclusion of poor and minority communities from municipal services is but one social ill that GIS mapping can illustrate and help alleviate.Courtesy of Cedar Grove Institute for Sustainable Communities
feature photoAllan Parnell and Ann Joyner of the Cedar Grove Institute for Sustainable Communities.Bill Bamberger

To get to the headquarters of the Cedar Grove Institute for Sustainable Communities, visitors have to navigate a lengthy dirt road past white picket fences, grazing horses and a variety of outbuildings in various stages of disrepair. Set in a one-room former Primitive Baptist church on a 43-acre spread in rural Orange County, N.C., the institute holds a collection of old, ergonomically incorrect wooden desks and metal filing cabinets. The only signs of modernity are computers atop the desks.

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